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Besides the 3D environment, Rhino has a full set of 2D tools suitable for both initial design layout and production drafting. Some notes from the Rhino for Mac Product Manager - Dan Belcher, McNeel - “Rhino is used in so many different industries; where there’s freeform shapes, there’s Rhino.

Rhino for Mac is here. While it doesn't have the exact same features as its Windows counterpart, Rhino for Mac offers a compelling 3D modeling experience for designers who prefer to work in the Mac environment. This short course covers the key differences between the Mac and Windows versions, basic interface navigation, 3D modeling, lighting, and rendering. Author Chris Reilly builds from viewing models to creating complex geometry from simple points and curves to extruding solid objects for 3D printing. No prior experience with Rhino is required!

Simply start watching to get up and running with this powerful 3D modeling software. Instructor.

Chris Reilly is a Detroit-area artist, hacker, and teacher. Working individually and collaboratively, his artwork explores telepresence, relationships, physical subjectivity, and community building with media, including games, performances, relational objects, robots, and open-source hardware/software projects. Chris holds an MFA from UCLA's School of the Arts and Architecture.

He has shown his artwork in solo and group exhibitions internationally, including the Ann Arbor Film Festival; the Intimate Instruments workshop at the Hammer Museum in Los Angeles; a public installation at ZERO1 Biennial in San Jose, CA; and collaborative projects in Hong Kong's Microwave International New Media Arts Festival. His works have been profiled in Make magazine, Wired, and Punk Planet, and Chris has published art texts in Geez and Infinite Mile. He has taught new media and digital fabrication courses at the School of the Art Institute of Chicago and created 3D animation courses for Lynda.com at LinkedIn.

He is an assistant professor of digital media at Eastern Michigan University. By: Jim LaPier course. 1h 45m 11s. 2,313 viewers. Course Transcript - Let's talk about a fundamental modeling skill you'll need for just about any job in Rhino 5 for Mac. That is the ability to move objects around in Rhino's 3d space.

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Now, we've got a few different options for how we can move things. We can simply click and drag in the viewport, we could use the move command, or we could use the gumball tool, and they all accomplish pretty much the same thing, each just in a slightly different way. So, let's get moving with transform-move.3dm from the exercise files, and here I've just got a few simple shapes for us to practice with. Now, the simplest way to move an object in Rhino is to click and drag, and this is also the least precise way to move something. And a lot of times, that's just fine to move something just so it looks good visually. So I can click and drag on any object to move it, or I could shift select to grab multiple objects and move those all at the same time. And we can do this from any of the viewports. Brukerveiledning. mobilt bredband zte mf821d for mac pro.

Now, depending on which one we're in, our movements will be constrained to one of the default construction planes. So, notice when I click and drag in perspective, I'm moving along the XY or top construction plane, and this is the same construction plane that's in the top viewport, so that move should look the same in top and perspective. Similarly, when I move in the front viewport, I'm moving in the XZ or front construction plane. And then in the right viewport, I'm moving in the YZ or right construction plane.

So with click and drag, we're moving in at most two directions at once. Now, I can modify the direction by using what's called elevator mode, and to do that, we just hold the command key and then click and drag, so let's try that in perspective. So, I'm holding down command and just clicking and dragging. So notice now, instead of moving along the top construction plane, I'm moving actually up and down, that's kind of why it's called elevator mode. And basically, elevator mode lets us move in the direction that's perpendicular to the construction plane of whatever view we're in.

So I could do that from the front, and also from the right. I'm just going to hit command z a couple times to get these objects back lined up to how I had them originally. So, sometimes when we're modeling in Rhino, we need to make more precise movements, and for that was can use the move command, which we can find under the transform menu. And move is great, since we can use it in combination with object snaps, or by typing precise numbers into the command prompts. So, for example, let's say that I'd like to place my cone right on the very tip top of my sphere. Now, if I were doing that with click and drag, it would be really hard, so if I was trying to sort of line this up, I'd have to go through multiple viewports, and even then, it might not line up as precisely as I'd like it to, so I'll hit command z to go back, and let's try that again with the move command.

Before we start, I'll go ahead and activate my end and center object snaps, and then let's bring up the move command, so transform move. So I'll pick my object to move, which is the cone, and hit Done, and then I'll pick the point to move from, and while this could be any point, in this case, since I'd like the cone to be right on the tip top of that sphere, I'll pick the center point of the cone's base for the point to move from, and, since I have object snaps on, I should be able to snap right to it, and I can see I'm snapping right to center of the base of that cone.

So I'll click to set that point, and then for the point to move to, I'll pick the end point that's right at the top of the sphere. Let's go over there on that, zoom in a little bit.

And you can see I'm snapping right to the top of that sphere. And I'll just click once more, to set that point. And there you go! My cone and sphere are perfectly aligned.

Okay, lets try another move, and, this time, I'd like to move these shapes exactly 10.25 units in this direction, so kind of diagonal in the Y and Z directions at the same time. So let's bring up move again, so transform move, and I'll go through the same steps, I'll select my objects, and this time I'll grab all three of these, so I'll just do a window selection to grab these objects here. And I'll click done. Now, for the first point, in this case, it really doesn't matter where I pick since these objects just need to move relative to where they are right now, so I'll just go ahead and type in zero here, rather than having to even mess with the viewport. And Rhino's smart enough to know that that's shorthand for using the world origin as our first reference point, so you can see we're basing everything off of the world origin, and for this case, that's fine. Now for the second point, I'll just type 10.25, since I know that's the distance I want to go.

10.25, click done. And again, Rhino's smart enough to know that that's a relative distance from my starting point.

So then I just need to set the direction that we're moving in, so you can see as I'm move in the right viewport here, anywhere I'm placing the cursor, Rhino's maintaining that distance that I typed in, which is 10.25, so I'll zoom in a little bit here, and we'll see if we can get this set up just right. So you can see I'm going on at kind of a 45 degree angle here, and I'll just click to set that point, and there we go. I've moved exactly 10.25 units in that diagonal direction that I wanted. And we also have a tool for moving objects that's a bit like a combination of the click and drag and the move command, and that's called the gumball. So, we can toggle the gumball on and off with this button just above the viewports, and so now any time I have a selection, there's this set of handles here, the red, green, and blue handles, and that's my gumball. And gumball lets us do lots of different edits, so things like scaling, rotating, copying, and, of course, moving, but for now, we'll just focus on these handles with the arrows, so the green, red, and blue handles with the arrow tips, and those are the move handles. So I have one for each direction, I have X is red.

And I can click and drag on any of them to move my selection around. Now, if I need to do a precise movement, I could also just single click on any handle, and I get this little pop-up.

So here, I can type in a precise direction, so let's say I want to move eight units down in the Z direction. So I'll type in negative eight, just hit enter, and you can see I drop right down to where I'd like. So you can see we've got a few different options for moving things around, and once you're familiar with all of them, you'll be a wiz at basic modeling.

Practice while you learn with exercise files. Watch this course anytime, anywhere.

Course Contents. Introduction Introduction.

1. Getting Acquainted with Rhino 5 for Mac 1. Getting Acquainted with Rhino 5 for Mac. 2. Differences between Rhino 5 for Mac and Rhino for Windows 2.

Differences between Rhino 5 for Mac and Rhino for Windows. 3. Curves. 4. Surfaces. 5.

Solids. 6. Transforming Geometry 6. Transforming Geometry. 7.

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Accurate Modeling 7. Accurate Modeling. 8. Rendering.

These Rhino3d for Windows Free Video Tutorials have been curated by the team at Simply Rhino to help you learn Rhino. We hope they help to expand your knowledge of, and ways of working with, Rhino/Rhinoceros and some of its plugins. Your presenter for this series is. Phil is an expert in.

Rhino3d Video Tutorial List. Video Tutorial 1 - Rhino Block Instances & V-Ray Proxies This first tutorial examines working with multiple instances of objects in the same Rhino file and introduces strategies to help with minimising file size and reducing memory overhead whilst at the same time increasing modelling and visualisation flexibility. The use of Rhino Block Instances and V-Ray Proxy Objects is described in detail along with a methodology to combine Blocks and Proxies together to overcome issues that arise when using them individually. Video Tutorial 2 - Creating and Controlling a Transitional Surface in Rhino3d In this second tutorial Phil looks at creating and controlling a typical transitional surface.

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Using the simple example of a vehicle wheel arch, Phil introduces how continuity is expressed and evaluated in Rhino before looking at a number of solutions to producing a controlled smooth transitional surface. Video Tutorial 3 - V-Ray for Rhino, Textures and Decals In this video, Phil outlines the process of creating simple textures in V-Ray for Rhino before concentrating on mapping these textures in Rhino. The standard mapping types are explained and demonstrated along with UV Unwrapping and Editing and Custom Mapping. Next Phil explains how to create decals in V-Ray for Rhino – a process which involves multiple diffuse layers and mapping channels. Video Tutorial 4 - Engine Cover - Modelling the Overall Form and Complex Corner Blend (1 of 3) Phil has created a series of videos examining the creation of a styling model for an engine cover that will ultimately be exported into SolidWorks.

In this first video in the series of three, we take a quick look at setting out the main construction curves and basic slab surfaces before moving on to look at a less than straightforward corner blend in detail. The corner blend or ball corner is often an area that causes problems for designers and modellers and we look at using some simple tried and tested strategies to overcome this. Video Tutorial 5 - Engine Cover - Adding Detail (2 of 3) In this video, the second in the series of three, Phil examines adding local detail to the engine cover model created previously. In modelling the air duct detail there are two main considerations. First, it’s important to create a seamless transition between the main surface and the lead in to the duct and second it’s important to control the edge blends so that they transition between a relatively straightforward corner blend to run out completely into the main engine cover surface. These are both common situations in 3D surface modelling even though the specific context might be different. With the duct detail completed, Phil looks at creating the centre blend to join the two symmetrical engine cover halves before checking that the geometry is optimised for exporting.

Video Tutorial 6 - Engine Cover - Exporting to SOLIDWORKS (3 of 3) This third and final video in this special trilogy examines interoperability between Rhino and SOLIDWORKS. By making careful use of file referencing it’s possible to have styling data that can be updated in Rhino that drives parametric features inside SOLIDWORKS, thus saving time consuming re-modelling in both programs. If you use Rhino and SOLIDWORKS or you are a Rhino user and have co-workers or customers who use SOLIDWORKS then this video is for you.

Video Tutorial 7 - Modelling in Rhino - The Coffee Pot - Generating Production Surfaces and Solids from 2D Design Intent - (Part One of Three) This video series looks at creating production quality surfaces and solids from 2D design intent and focuses on a ceramic coffee pot. In many design disciplines, including the ceramics industry, it’s often the case that much 2D design work is done before being progressed to 3D and this tutorial follows that methodology. The starting point is an existing 2D CAD drawing presented in Adobe Illustrator.